STORM BOY ENDING MOVIE
STORM BOY ENDING SERIES

In a scene where we see a brief conversation between her and a senior doctor (Nassar), the two talk about how she aspired to become a surgeon once. Antara, as we learn, works as a nurse at a hospital. Twenty-five years later, Antara (Taapsee Pannu), her husband Vikas (Rahul Bhatt), and daughter Avanti have moved into the same house that Aney used to live in.

STORM BOY ENDING MOVIE

The movie then cuts to the present day and introduces us to new characters. Before he could comprehend what’s unfolding in front of his eyes, a man (Saswata Chatterjee) appears in front of him, which leads him to run for his life, and a speeding firetruck runs over him, resulting in a tragedy. Out of concern, Aney ventures outside his house and heads towards the next door as we hear the lightning grow louder.Īfter discovering that there indeed was something wrong as he looks at blood stains over the floor leading to the eventual reveal of a supposed dead body, fear grips Aney. We see his mother sleeping in the next room, unwilling to allow Aney outside once again in the bad weather. Unable to fully make out of what’s unfolding in the middle of a loud thunderous storm, he calls for his mother’s attention. And yet we can also easily see the good man underneath the weight of life’s problems.One night, amidst morbid curiosity to investigate strange noises in his neighbor’s bungalow, he peeps into their window.

He has the perfect hangdog face: unable to make eye contact easily, uncombed hair and unshaven. Perfectly directed by Kore-eda, Hiroshi Abe gives one of the best performances in any of his films. Notice how he doesn’t eat when he takes his son out for a meal-he can’t afford it-and he totally wastes the chance to get to know him by grilling the boy about the new man in his mother’s life. He so desperately wants to impress those about whom he cares deeply, and he confuses material goods and cash flow with actual communication and attention. Ryota is the kind of guy who gives money to his mother and then asks to borrow some from his sister. There’s an almost throwaway moment-although Kore-eda’s films are so finely balanced they contain no such thing-in which Ryota and his partner tell a client about a cheating husband, and she doesn’t respond as emotionally as they expect, saying “For better or worse, it’s all part of my life.” It's that comfort with life's speedbumps and the fact that they shape us as much as anything.

And he has a certain victimhood to his tone when he does so, as if life dealt him a bad hand and it’s not his fault. Ryota worries about his mother now that his father has passed he spies on his ex and son he gambles more than he should-he lives in the past, always talking about his now-broken family, his father, his childhood. “After the Storm” is as delicately balanced as any film Kore-eda has made, a film that seems to not have much action or momentum but finds cumulative emotional power.

STORM BOY ENDING SERIES

There are no grand revelations or emotional breakdowns, just a series of heartfelt conversations, but the sunlight looks a bit different the next day. One night, during a typhoon, Ryota finds himself stuck in his mother’s (the amazing Kirin Kiki) apartment with Shingo and Kyoko. Even though Ryota has never met the new man in Kyoko’s life, he feels challenged by him, especially when it comes to the attention of his son Shingo (Taiyo Yoshizawa). colleague on surveillance of his ex-wife Kyoko ( Yoko Maki), who has a new beau. He has a job working as a private detective, but it doesn’t seem to bring him much joy-and it’s a profession that plays into Kore-eda’s themes as Ryota is always looking at other people’s lives instead of his own. He’s a prize-winning author, but he has yet to follow up on the success of his novel, The Empty Table. Ryota ( Hiroshi Abe) has understandable reasons for his depression.

Storm boy ending